Everything about the album "March ör Die": creation history, best tracks, meaning

Group Motörhead Back in the '80s, the band made a name for itself as one that revived heavy metal and popularized other styles, such as thrash and speed metal. Huge The musicians gained success after a significant start in the early '80s and the release of albums that achieved the status of iconic in the band's entire discography.

Release early Overkill", "Ace of Space" and "Bomber" showed what power the Motörhead phenomenon had, and their popularity grew over the years, despite lineup changes and various problems. By the '90s, the band had written and released a record "March ör Die"who received ambiguous reaction. How the release was recorded, the best tracks and the significance of the record will be discussed in the article.

The idea and the record

This work was released in late summer 1992. After the hit "1916"The album was critically acclaimed as a strong and unconventional album for the band, and Motörhead decided to record its next record with Sony Records, which would later become large the mistake of the musicians.

At the same time, Lemmy receives an offer to collaborate with Ozzy Osbournewhich accepts, and subsequently the musician will write four songs for Ozzy's record "No More Tears.". The collaboration was also evident on Motörhead's "March ör Die," for which the Prince of Darkness recorded "I Ain't No Nice Guy.

During the recording, the producer resumed working with the band Pete SollyThe musicians needed to urgently find a replacement for drummer Phil Taylor, who had left the band for the second time. Soon, the following people were invited to work on the record Mickey Dee and Tommy AldridgeThe band's members, who later joined and collaborated with the band almost until Kilmister's death.

"March ör Die" was recorded in California during a turbulent time, when the disorder Rodney King. In one interview Lemmy admitted that the location of the studio in the middle of chaos Inspired by him to write a few songs.

A little bit about the best tracks

Stylistically, "March ör Die" is closer to true The band's sound is more distinctive than its predecessor, but you can't say that the musicians did a better job successfully with all the tracks. However, there are still tracks on the record worthy of the great Motörhead legacy.

Introductory composition "Stand." is done with dignity and in the band's style. The drive is achieved primarily by the tight bass line and Lemmy's characteristic vocals. Some tracks, such as "Jack the Ripper" and "March ör Die" are in many ways similar to some of the songs released by the band earlier. Such characteristic genre-leading tracks in the band's works turned out to be much Weaker than the rest of the album.

A really strong song can be considered "I Ain't No Nice Guy"The composition was to be composed by Osborne and Guns N' Roses guitarist Slash, in addition to Kilmister and his colleagues. This composition was supposed to be large hit, as the participants of the recording were at the peak of popularity at the time of the release of the track. However, due to problems with the label the song was not released for a long time, but despite the difficulties, the composition managed to gain popularity exclusively by the efforts of the musicians themselves.

"Hellraiser." was also one of the best tracks on the album. Notably, the song was originally written by Ozzy Osbourne and guitarist Zach Wylde with Lemmy and was released on Osbourne's album in friend version. This composition became first performed as part of Motörhead by Mickey D., and it also has some lyrical changes.

Relevance and significance

Although the album is full of worthy The compositions in the spirit of classic Motörhead, critics and listeners couldn't help but notice general the weakness and heterogeneity of the record. It would be unfair to say that March ör Die is a bad album, but the band did give up. Perhaps it had something to do with Lemmy's interest in working on the Ozzy record, or with fatigue The band's favorite genre, because it is such expected compositions that "sag" the album. A little more aggression could have taken the record to a more high level.

Kilmister was trying to achieve commercial success with this album, and here he made a mistake in the opinion of many critics. Perhaps if Lemmy had tried to write new material with more deep approach, "March ör Die" would have been a little more classic, but no less beloved by fans. The melodicism inherent in most of the tracks took the musicians a bit off course, but this record can rightfully be considered significant for Motörhead in the '90s.